Nom de famille usuel : | Spiteri |
Prénom usuel : | Vivienne |
Genre : | Féminin |
Fonction : |
Compositrice Interprète |
Instrument (fr) : | Clavecin |
Instrument (en) : | Harpsichord |
Pays de résidence : | France |
Bio en français : | l’enseignant par excellence de |
Date de la bio en français : | 1 janvier 2003 |
Bio en anglais : | what is there to say or know about that her work has been termed ‘iconoclastic’? that her solo double compact disc has been described as ‘an enrichment of humanity’? that her solo work in studio takes to new heights glenn gould’s early experiments? that her anahata played to strong public acclaim in europe and is considered by some to be the best music to have come out of france and of grm in a long time? (and “claq,” fools! unwise, declared that she couldn’t do it)? that her mesmerizing concerts transport and draw us deeply into the music?” or thatshewouldliketoseeAllartistsremuneratedforAlltheirWorkAllofthetime or that Art is her Poetry is her Air…? what does one say about Vivienne Spiteri? when words failed Shakespeare, he turned to music. |
Rédacteur/trice de la bio en anglais : | Compiled by |
Date de la bio en anglais : | 1 août 2003 |