| Bio en français : |
Jonathan Golove est originaire de Los Angeles; il est présentement assistant professeur invité de la Faculté de Musique du State University of New York à Buffalo. Il a étudié la composition avec, entre autres, David Felder et Donald Erb; il a également étudié la musique électronique avec Cort Lippe. Différents ensembles, dont le Quatuor Bozzini, l’Ensemble Court-Circuit, le Amherst Saxophone Quartet, le Maelstrom Percussion Ensemble, et The instrumental Factor, ont joué sa musique tant en Amérique qu’en Europe. Son travail a été récompensé par prix et commandes d’organismes prestigieux dont le Festival International d’Art Lyrique d’Aix-en Provence, Voxnova, ASCAP, le Y Mikhashoff Trust for New Music, Meet the Composer et la Société Darius Milhaud. Violoncelliste accompli, Jonathan Golove est membre du trio Baird, en résidence à l’Université de Buffalo, et s’est produit comme soliste avec le Buffalo Philarmonic Orchestra et le Slee Sinfonietta. Jonathan Golove est membre fondateur de The Instrumental Factor (Buffalo), Just Like It Sounds (San Francisco), Arc-en-Ciel (Berkeley) et le Festival Three-iin-the-Time-of-Two. |
| Bio en anglais : |
Jonathan Golove is a native of Los Angeles, California and a resident of Buffalo, New York. He currently serves as Lecturer in the Music Department of the State University of New York at Buffalo, where he received a Ph.D. in musical composition as a Woodburn Fellow. His principal composition teachers have been David Felder and Donald Erb, and he has studied computer music with Cort Lippe. He has worked with or participated in masterclasses given by composers including Marc-Andre Dalbavie, Philippe Manoury, Lukas Foss, Roger Reynolds, Gerhard Staebler, and Walter Zimmermann. Mr. Golove’s works have been performed in a variety of locations in the North America and Europe, by such ensembles as the Ensemble Court Circuit, the Amherst Saxophone Quartet, Maelstrom Percussion Ensemble, and The Instrumental Factor. He has received commissions, awards and grants for his works from organizations including the European Academy of Music/International Festival of Lyric Art of Aix-en-Provence, Voxnova, ASCAP, the Yvar Mikhashoff Trust for New Music, Meet the Composer, and the Darius Milhaud Society. He has written for a variety of ensembles, often in combination with live electronic processing, including (Max’s 24 Hours) Pray-O-Mat for two cellos and the IRCAM Signal Processing Workstation, which was performed at the 1996 Sonic Circuits Festival in Toronto. In 1995, Mr. Golove was the first winner of the ASCAP Foundations Leo Kaplan award. His winning composition, Shreds of Evidence, is scored for two pianos, electronically processed spoken text, and video, and was premiered at the North American New Music Festival in February, 1995. A version of Shreds for piano duo was subsequently premiered at the June In Buffalo Festival. Here and There, a work for womans voice and percussion quartet, has been recorded by the Maelstrom Percussion Ensemble on its CD release Whirled Music. Mr. Golove is also an accomplished cellist, having been a student of Siegfried Palm and Ronald Leonard. In 1997 he was featured as soloist in Morton Feldman’s Cello and Orchestra with the Buffalo Philharmonic Orchestra, and will perform Gubaidulina’s Detto II for cello and ensemble with the Slee Sinfonietta in April 1999. He is active, as well, in the field of improvised music, appearing on a number of recordings with noted composer/performer Vinny Golia. Mr. Golove has been a founder and co-director of chamber ensembles dedicated to the performance of new music including The Instrumental Factor (Buffalo), Just Like It Sounds (San Francisco), Arc-en-Ciel (Berkeley), and the Three-in-the-Time-of-Two Festival, which had its debut in Cleveland in 1994. He has performed in or composed works for summer music festivals including the Pacific Music Festival, the Rome Festival, and the Sarasota Music Festival. He was a founding member of the Elisha String Quartet, a group which served as the Apprentice Quartet at The Cleveland Institute of Music and participated in the 1993 Juilliard Quartet Seminar. In addition, he has performed in the June In Buffalo String Quartet, the Roycroft Festival, and with the Cleveland Octet, a group made up of members of the Cleveland Orchestra. |